FORUM YESOMI UMOLU
PROPOSITION #1: IF YOU BUILD IT, THEY [SIC] WILL COME
Proposition #1: If you build it, they [sic] will come
Somewhere In… is a series of research-led curatorial propositions instigated by London-based curator, writer and researcher Yesomi Umolu. The project aims to investigate the irony of trans-national social spaces by uncovering the systems, values and ideologies that define contemporary locations of cultural translation and trans-national encounters. Working from the conclusion that contemporary institutional frameworks presuppose the conditions of such exchanges, prioritising closed notions of dialogue and reciprocity with blind regard of the micro-political, Somewhere in... asks: How can we deterritorialise the ideological space of the trans-national encounter? Furthermore, focusing on Etienne Balibar’s conclusion that “every community reproduced by the functioning of institutions is imaginary”, how can we address the imaginary communities of trans-national social spaces as defined by institutional paradigms?
As a point of departure the discussion will consider Proposition #1 of Somewhere In….: If you build it, they [sic] will come, which addresses the role architecture plays in the construction of trans-national ideals. In this instance, architecture is understood as an expanded field beyond the built edifice – as a set of (pre-defined) spatial conditions and political positionings that construct, promote, inhibit, fictionalise or exoticise encounters between the here and the elsewhere.
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Yesomi Umolu (1984, UK) is a London-based curator, writer and researcher. She co-directs the curatorial agency AGM. Yesomi is a core contributor to the experimental interdisciplinary space Department 21. Her recent projects include co-curating the exhibitions AGM 10: Collectivus CPS (Manifesta 8, 2010), John Smith Solo Show (Royal College of Art, 2010), Goldfinger’s Lost Cottage (Platform 1 Gallery, 2010) and curating the screening programme Performing Localities (Iniva, 2009). Yesomi has held positions as a Curatorial Assistant for Chamber of Public Secrets at Manifesta 8, Public Programme Assistant at the Serpentine Gallery, London and Project Coordinator at Tate Modern, London. She is a regularly invited critic and seminar tutor at the Bartlett School of Architecture, London. Yesomi is a graduate of the Masters program in Curating Contemporary Art at the Royal College of Art, London.
Yesomi’s research-led practice investigates critical spaces and sites of alterity, questioning their emergence and sustainability across a wide range of social, political and cultural spheres.